…the ‘not seen by many’ films that Harvey advocated for grossed more than $1billion.
SHAKESPEARE IN LOVE (BEST PICTURE)–$100million
THE ENGLISH PATIENT (BEST PICTURE)-$78million
THE KING’S SPEECH (BEST PICTURE)–$138million
SILVER LININGS PLAYBOOK (BEST PICTURE NOMINEE)–$132million
GANGS OF NEW YORK (BEST PICTURE NOMINEE)-$77million
NO COUNTRY FOR OLD MEN (BEST PICTURE)–$74million
COLD MOUNTAIN (BEST PICTURE NOMINEE) $95million
THE QUEEN – (BEST PICTURE NOMINEE) $56million
IMITATION GAME (BEST PICTURE NOMINEE)- $91million
FINDING NEVERLAND (BEST PICTURE NOMINEE) – $51million
THE CIDER HOUSE RULES(BEST PICTURE)–$57million
THE ARTIST (BEST PICTURE)-$44million
CRYING GAME (BEST PICTURE NOMINEE) – $62million (1992!!)
EVERY QUENTIN TARANTINO FILM (Harvey launched him with PULP FICTION and nurtured him)
THE PIANO (BEST PICTURE NOMINEE) –$40million (1993!)
…Joe Russo should reevaluate his Weinstein theory and question his own decision to make an expensive, forgettable films for Netflix that tested the patience, but not the intelligence of its subscribers. The film? ELECTRIC STATE.